The death of an incomparable photojournalist, killed on April 20 while covering the conflict in Libya, is recounted by his collaborator, confrère, and friend on Vanity Fair.
Tim, man, what can I say? For the first few hours the stories were confused enough that I could imagine maybe none of them were true, but they finally settled into one brief, brutal narrative: while covering rebel forces in the city of Misrata, Libya, you got hit by a piece of shrapnel and bled to death on the way to the clinic. You couldn’t have known this, but your fellow photographer Chris Hondros would die later that evening. I’m picturing you wounded in the back of a pickup truck with your three wounded colleagues. There are young men with bandannas on their heads and guns in their hands and everyone is screaming and the driver is jamming his overloaded vehicle through the destroyed streets of that city, trying to get you all to the clinic in time.
He didn’t. I’ve never even heard of Misrata before, but for your whole life it was there on a map for you to find and ponder and finally go to. All of us in the profession—the war profession, for lack of a better name—know about that town. It’s there waiting for all of us. But you went to yours, and it claimed you. You went in by boat because the city was besieged by forces loyal to Muammar Qaddafi (another name you probably never gave much thought to during your life) and you must have known this was a bad one. Boat trips are usually such nice affairs, but not this one. How strange to be out on the water off a beautiful coastline with the salt smell and the wind in your face—except this time, you’re headed toward a place of violence and killing and destruction. You must have known that the unthinkable had to be considered. You must have known you might not ever get back on that boat alive.
Read the entire article on Vanity Fair >>