
The extremes of uprising, from the initial euphoria to muddy truths blurred by violence, are now the focus of a group project aimed at bringing work by a few Western photographers back to the country where the images were taken. Titled Almost Dawn in Libya (ADIL) and conceived by the photographer André Liohn, the project features work by Bryan Denton, Lynsey Addario, Eric Bouvet, Christopher Morris, Jehad Nga and Finbarr O’Reilly.